I like him as he not only is good in writing poems, he uses a lot of feelings and thoughts into his poems.
These are some of his poems:
Country Fair
If you didn't see the six-legged dog,
It doesn't matter.
We did, and he mostly lay in the corner.
As for the extra legs,
One got used to them quickly
And thought of other things.
Like, what a cold, dark night
To be out at the fair.
Then the keeper threw a stick
And the dog went after it
On four legs, the other two flapping behind,
Which made one girl shriek with laughter.
She was drunk and so was the man
Who kept kissing her neck.
The dog got the stick and looked back at us.
And that was the whole show.
Eyes Fastened With Pins
How much death works
No one knows what a long
Day he puts in. The little
Wife always alone
Ironing death's laundry.
The beautiful daughters
Setting death's supper table.
The neighbors playing
Pinochle in the backyard
Or just sitting on the steps
Drinking beer. Death,
Meanwhile, in a strange
Part of town looking for
Someone with a bad cough,
But the address somehow wrong,
Even death can't figure it out
Among all the locked doors...
And the rain beginning to fall.
Long windy night ahead.
Death with not even a newspaper
To cover his head, not even
A dime to call the one pining away,
Undressing slowly, sleepily,
And stretching naked
On death's side of the bed.
This Morning
Enter without knocking, hard-working ant.
I'm just sitting here mulling over
What to do this dark, overcast day?
It was a night of the radio turned down low,
Fitful sleep, vague, troubling dreams.
I woke up lovesick and confused.
I thought I heard Estella in the garden singing
And some bird answering her,
But it was the rain. Dark tree tops swaying
And whispering. "Come to me my desire,"
I said. And she came to me by and by,
Her breath smelling of mint, her tongue
Wetting my cheek, and then she vanished.
Slowly day came, a gray streak of daylight
To bathe my hands and face in.
Hours passed, and then you crawled
Under the door, and stopped before me.
You visit the same tailors the mourners do,
Mr. Ant. I like the silence between us,
The quiet--that holy state even the rain
Knows about. Listen to her begin to fall,
As if with eyes closed,
Muting each drop in her wild-beating heart.
After reading these poems, I can see that he uses a lot of emotions and hard work in his poems.
He had won awards like Wallace Stevens Award so he is quite outstanding.
Charles Simic was born on May 9, 1938, in Belgrade, Yugoslavia, where he had a traumatic childhood during World War II. In 1954 he emigrated from Yugoslavia with his mother and brother to join his father in the United States. They lived in and around Chicago until 1958.
His first poems were published in 1959, when he was twenty-one. In 1961 he was drafted into the U.S. Army, and in 1966 he earned his Bachelor's degree from New York University while working at night to cover the costs of tuition.
His first full-length collection of poems, What the Grass Says, was published the following year. Since then he has published more than sixty books in the U.S. and abroad, twenty titles of his own poetry among them, including That Little Something (Harcourt, 2008), My Noiseless Entourage (2005); Selected Poems: 1963-2003 (2004), for which he received the 2005 International Griffin Poetry Prize; The Voice at 3:00 AM: Selected Late and New Poems (2003); Night Picnic (2001); The Book of Gods and Devils (2000); and Jackstraws (1999), which was named a Notable Book of the Year by the New York Times.
His other books of poetry include Walking the Black Cat (1996), which was a finalist for the National Book Award; A Wedding in Hell (1994); Hotel Insomnia (1992); The World Doesn't End: Prose Poems (1990), for which he received the Pulitzer Prize for Poetry; Selected Poems: 1963-1983 (1990); and Unending Blues (1986).
In his essay "Poetry and Experience," Simic wrote: "At least since Emerson and Whitman, there's a cult of experience in American poetry. Our poets, when one comes right down to it, are always saying: This is what happened to me. This is what I saw and felt. Truth, they never get tired of reiterating, is not something that already exists in the world, but something that needs to be rediscovered almost daily."
Simic has also published numerous translations of French, Serbian, Croatian, Macedonian, and Slovenian poetry, and is the author of several books of essays, including Orphan Factory. He has edited several anthologies, including an edition of The Best American Poetry in 1992.
About his work, a reviewer for the Harvard Review said, "There are few poets writing in America today who share his lavish appetite for the bizarre, his inexhaustible repertoire of indelible characters and gestures ... Simic is perhaps our most disquieting muse."
Simic was appointed the fifteenth Poet Laureate Consultant in Poetry in 2007. About the appointment, Librarian of Congress James H. Billington said, "The range of Charles Simic's imagination is evident in his stunning and unusual imagery. He handles language with the skill of a master craftsman, yet his poems are easily accessible, often meditative and surprising. He has given us a rich body of highly organized poetry with shades of darkness and flashes of ironic humor."
"I am especially touched and honored to be selected because I am an immigrant boy who didn't speak English until I was 15," responded Simic after being named Poet Laureate.
Simic was chosen to receive the Academy Fellowship in 1998, and elected a Chancellor of The Academy of American Poets in 2000. He has has received numerous awards, including fellowships from the Guggenheim Foundation, the MacArthur Foundation, and the National Endowment for the Arts, and was elected to The American Academy of Arts and Letters in 1995.
Most recently, he was announced as the recipient of the 2007 Wallace Stevens Award by the Academy of American Poets. Simic is Emeritus Professor of the University of New Hampshire where he has taught since 1973.
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